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Ki Ti•sâ 2nd Eve

Building The Nation

Original Two Stone Lūkh•ōt 

Spring-Summer, year 2 following c B.C.E. ; Area From Rᵊphid•im South To Har Sin•ai

Har Karkom petroglyph luakh
Click to enlargeTypical petroglyph akh at Har Kar•kōm, showing type of stone and Biblical-era etch­ing

Then, as the culmination of His speaking on Har Sin•ai, He inspired Mōsh•ëh to etch two lūkh•ōt of the Eid•ūt; lūkh•ōt of stone written by the finger of ël•ōh•im.


Israel Reverts To Egyptian Idol Hât-Hōr

The Gold Calf Mask 

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Click to enlarge Gold filigree earring featuring horned ram, c BCE 250, City of David (ha-Aretz, 2018.08.08 AFP)

When the am saw that Mōsh•ëh was overdue to descend from the Har, the am congregated about A•ha•rōn, telling him, “Stand-up! Make us an ël•ōh•im that will parade in front of us, because this Mōsh•ëh guy, the ish who brought us up from Ërëtz Mi•tzᵊrayim, we don’t know what’s happened to him.”

Then A•ha•rōn told them, “Unfasten the gold earrings of your wives, sons and daughters and bring the earrings to me.”

So all of the am unfastened their gold earrings and brought them to A•ha•rōn.

etching-stylus fm c70CE Rome, found in London
Etching-stylus from c70CE Rome (found in London, photo MOLA (Museum of London Archaeology)

Having taken the gold earrings from their hands, he sand-casted a gold calf mask, then used a stylus to etch its features.

Then they said, “This is your ël•ōh•im, Yi•sᵊr•â•eil, that brought you up from Ërëtz Mi•tzᵊrayim!”

Seeing this, A•ha•rōn built a mi•zᵊbeiakh before it. Then A•ha•rōn called out, saying, “Tomorrow will be a Khag to é‑‑ä!”

The following morning, they stood-up in the pre-dawn darkness and sacrificed ōl•ōt, brought shᵊlâm•im and sat down to eat and drink. Then they got up to debauch.


Meanwhile, Mōsh•ëh, Still On Har Sin•ai

But Mōsh•ëh perceived é‑‑ä speaking to him:

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Hât-Hōr mask, typical Egyptian New Kingdom depiction. (As widely de­picted on tomb walls, priestesses of Hât-Hōr apparently wore a head­dress with horns embracing a solar disk and a Wadjet .)

“Get down there quick! For the am has reverted to its perverted idolatrous acculturation, brought out of Ërëtz Mi•tzᵊrayim. How quickly they have strayed from the Dërëkh I commanded them! They made for themselves a calf mask, prostrated before it and sacrificed to it, saying, “This is your ël•ōh•im, Yi•sᵊr•â•eil, which brought you up from Ërëtz Mi•tzᵊrayim.””

Furthur, Mōsh•ëh perceived é‑‑ä telling him,

“I’ve seen this am. Look, they’re a stiff-necked am. So sit back and watch while I vent rage upon them and incinerate them! Then I will make you a great goy.”

But Mōsh•ëh felt sick about it before the Face of é‑‑ä his ël•ōh•im. So he asked, “Why will é‑‑ä vent a ragestorm upon His am whom you have brought forth from Ërëtz Mi•tzᵊrayim? Why should the Mi•tzᵊrayim be enabled to say, ‘Their é‑‑ä was wrong!!! He ended-up bringing them forth only to get them killed in the mountains and eradicated from the face of -a•dâm•âh.’ Turn from your ragestorm and show compassion for Your am concerning the wrongdoing. Remember Your workers — Avᵊrâ•hâm, Yi•tzᵊkhâq and Ya•a•qōv, to whom You swore within Yourself declaring to them:

“I will proliferate your seed like the stars of the shâ•mayim, and all of this ârëtz—as I’ve said—I will give to your seed, and they shall inherit it lᵊ-o•lâm.”

So é‑‑ä relented concerning the wrongdoing of His am; i.e. what He had spoken to do to His am.

Thus, Mōsh•ëh turned and descended from the Har with the two stone lūkh•ōt of the Eid•ūt in his hand; lūkh•ōt that were etched front and back, etched on the one side and the other. The lūkh•ōt were the Ma•a•sëh of ël•ōh•im; and the Missive was the Missive of ël•ōh•im, etched upon the stone lūkh•ōt.

Revelry in the Camp

When Yᵊhō•shūa heard the sound of the am whooping and said to Mōsh•ëh, “Sounds like there’s a war in the camp.”

”The tumultuous sound of responses I’m hearing,” Mōsh•ëh replied, “are neither the sound of a war-whoop responses nor the sound of agony responses.”

Mōsh•ëh Shatters Stone Lūkh•ōt

So it was, that when he came near the camp, he saw the calf and the dancing. Mōsh•ëh vented a ragestorm! He threw the stone lūkh•ōt down, breaking them, at the foot of the har. Then he took the calf that they had made and he melted it down in the fire. After it cooled, he collected the bullion, ground it into powder and strewed it on the pool of their drinking water so that Bᵊn•ei-Yi•sᵊrâ•eil would be reminded of their shame every day when they fetched their daily drinking water.

Then Mōsh•ëh oppugned A•ha•rōn: “What did this am do to you to force you to bring such a great misstep-punishment upon them?”

”Don’t vent a ragestorm, Mōsh•ëh, a•don•i!” A•ha•rōn replied. “You know the am, that it’s innately . Well, they told me to make them an ël•ōh•im that shall parade in front of us; because this Mōsh•ëh guy, the ish who brought us up from Ërëtz Mi•tzᵊrayim, we don’t know what happened to him.”

”So I told them, ‘Whoever has gold, unfasten it and give it to me.’ Then I threw it in the fire and this calf-face form emerged.”

Now Mōsh•ëh saw how the am had gone wild, for A•ha•rōn had enticed them to go wild—i.e. their standing-up to make themselves an infamy. So Mōsh•ëh stood in the shaar of the camp and said, “Whoever belongs to é‑‑ä, Over here!” And all of Bᵊn•ei-Lei•wi gathered to him, leaving only the unrepentant wild idolaters in the camp.

Optional parental preparation:

  1. What is sand-casting (pouring molten metal into a sand mold)?

  2. What does oppugn mean?

  3. 31.18 Etching — ”Petroglyphs are common on rocks like these because their surfaces lend themselves well to drawing. Limestone boulders that have a high iron content develop a rust-like patina on the outside that makes them darker than the surrounding rocks. The dark layer is thin, though, and can be easily scratched with another stone to reveal bright white stone beneath… Experts… can verify the drawings’ age to some extent by the color of the scratched lines. Newly-etched markings are bright white, but over time, the white lines start to oxidize just like the outside of the rock, and eventually turn brownish or rust-colored.” Return to textRainbow Rule

  4. ccc
    Hât-Hōr mask, typical Egyptian New Kingdom depiction. (As widely de­picted on tomb walls, priestesses of Hât-Hōr apparently wore a head­dress with horns embracing a solar disk and a Wadjet .)
    32.06, to debauch — This incident seems to have coincided with the birthday festival of Hât-Hōr, which Yi•sᵊr•â•eil had experienced annually, in late summer (08.29), for the entire four centuries duration of their Egyptian sojourn. The idolatrous celebration anticipated the annual inundation of the Nile, which ushered in the annual renewal of life and fertility.

    The annual late-summer ancient Egyptian idol-festival “dates from the Old Kingdom and was among the most anticipated. The cult of [Hât-Hōr] was extremely popular and, … the celebration was well-attended wherever it was held. … [P]articipants were encouraged to over-indulge in alcohol while engaging in singing and dancing in honor of the goddess. There may also have been a sexual component to the celebration…” 

    “[Hât-Hōr] was the incarnation of dance and sexuality and was given the epithet “Hand of God” (refering to the act of masturbation) and “Lady of the Vulva”.”

    Participants of this sacred festival, held at the beginning of the inundation of the Nile that brought the annual revival of life, engage in sex orgies as a way of celebrating [Hât-Hōr], a goddess of love and fertility of the land.

    ”As a goddess who transcended life and death, [Hât-Hōr] was widely worshipped and came to be idenified with a deity known as The Distant Goddess… in The Book of the Heavenly Cow… When the Distant Goddess eludes 's control, a god is sent forth by to find his daughter and bring her home and, when this happens, she brings with her the inundation of the Nile River which overflowed its banks and brought life to the people. Before she released the life-giving waters, however, she had to be placated and shown appreciation. Geraldine Pinch writes:

    “When the Distant Goddess returned, she brought the inundation with her, but she had to be pacified with music, dancing, feasting, and drunkenness. This was the mythical justification for the wild, ecstatic elements in [Hât-Hōr]'s cult. It was proper for the whole of creation to rejoice when [Hât-Hōr] appeared again in all her radiant beauty and joined forces with her father.”  

    The ancient Greeks equated [Hât-Hōr] with their own Aphrodite, the Olympian goddess of love, beauty, sexual pleasure, and fertility.  Return to textRainbow Rule

  5. 32.10 “eat” — àÈëÇì, popularly rendered “consumed” when it’s used in the sense of consuming rage; to “consume completely, like by a fire”; burn-up completely, eradicate; i.e. incinerate. Return to textRainbow Rule

  6. 32.11. “His” refers to é‑‑ä, so who is “you”? And who else would then be the questioner-narrater? — One might suggest that Mōsh•ëh was debating this question in his mind. But, then who would be the “you” — in addition to “His” — who brought Yi•sᵊr•â•eil out of Mi•tzᵊrayim? It seems most likely that the questioner-narrater was Yᵊhō•shūa (Bin-Nūn, of course) conferring with Mōsh•ëh to decide the proper response. Return to textRainbow Rule

Questions you might anticipate that your child might raise and be prepared to discuss:

  1. What does it mean to prostrate oneself?

  2. What does acculturation mean? Assimilation?

  3. What does it mean to be stiff-necked (obstinate, stubborn)?

  4. What does “vent a ragestorm” mean? (I.e. explode in a monumental rage)

  5. What does it mean to relent?

  6. What is the “foot” of a mountain?

  7. What is a stylus? Etching?

  8. What does stray mean?

  9. What is (gold) bullion?

  10. What does innate mean?

  11. What does the verb strew mean?

  12. What does infamy mean?

Rainbow Rule © 1996-present by Paqid Yirmeyahu Ben-David,

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